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NEUROPHONIA
Neurophonia - David
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The disk-jockeying experience of Salvatore Evola aka Neurophonia starts just few years ago, but the young man actually enjoys a musical knowledge and background very multicoloured and rich in contaminations.
Since when he was a little child just 9 years old, he was charmed by the piano instrument, and also thanks his mother, a piano teacher, he could easily get in touch with the instrument and learn about music. He carries on studying the instrument along 9 years, continuing his walk of training, ever looking for new melodies and sounds he likes to define as 'universal'. He listens and studies every kind of music discovering with the Kraftwerk his passion for a particular type of electronic music. He starts to play dj on the prestigious clubbing scene in Bologna, and in the nightclubs he succeeds soon to make the people on the dance floor understand his distinctive musical taste, making at the same time progress in his personal research project which gains remarkable stimulus by the most various musical contaminations taken from the bests djs of the Italian and world scene, from Walter S to Frankie Knuckles and Carl Craig, from the most sophisticated electroclash to the most smooth house and the most refined minimal and progressive house.
He reaches the consciousness that the genres classifications haven't a relevant meaning, they probably are just barriers due to the human being limits. Music is just one and it goes beyond all the boundaries. A melody which can touch the sensibility of a person can come both from classical music or electronic music.
This because behind the sound of a sinth or a classical piano there's ever the creativity and imagination of an artist able to turn them be 'alive'. Neurophonia's productions put together fresh melodies and traditional sonorities passing from time to time through the classic elements, ever trying to reach the balance between the power of the rhythm and the expression of the melody, ever more rare to find in the present days productions.
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